About Kazi Nazrul Islam:
Kazi Nazrul Islam is the ‘Nationwide Poet of Bangladesh.’ One such irony is that Kazi Nazrul Islam (1899-1976) is our “nationwide” poet. For our nationwide ruling courses and their allies have long come to face in for nearly every part—each system of oppression—Nazrul himself continued to confront, problem, and fight: capitalism, colonialism, communalism, racism, and patriarchy. Certainly, re-reading Nazrul in the present day is to re-assert the three distinctly pronounced rules of our personal unfinished Nationwide Liberation Motion of 1971—equality, justice, and dignity.
These rules, I argue, deeply inform Nazrul’s whole work. His private line—”Of equality I sing”—constitutes a leitmotif in numerous of his poems. However, Nazrul is greater than a didactic poet of rules. He is, without doubt, one of the main Bengali poets and one of many biggest revolutionary poets on the planet, one who manifestly declares in “Dhumketu” [The Comet]: “I’ve come now for the good revolution.” Provided that that is the centenary 12 months of the Russian Revolution, it’s related to recall that this very revolution serves as Nazrul’s basic inspiration all through a lot of his work.
Childhood & Early Life
In 1920, he left the military and joined the ‘Bangiya Muslim Sahiya Samiti’ where he wrote his first poem ‘Bandhan-Kathin’ or ‘Mukti from Bandhan’.
In 1922, he wrote a poem entitled Rebel, which was published in Thunder magazine. In the poem, a rebel described his involvement and received praise from various sections of society.
In 1922, his political poem Anandamoyir Agomon was published in Dhumketu. This led to his arrest during a police raid on the magazine’s office. While in prison, he wrote many poems and songs until his release in December 1933.
Eventually, he became a critic of the “caliphate” struggle and so the Indian National Congress for not bargaining for political independence from the British Empire. He encouraged the people to fight against the British and equipped the ‘Sramik Praja Swaraj Dal’.
From 1926, he started composing poems and songs for the weaker sections of the society. In later life, his writings changed from rebellion to religion. He explored ‘namaz’ (prayers), ‘Roza’ (fasting), and ‘hajj’ (pilgrimage). He was devoted to the Qur’an and therefore to the lifelong work of the Prophet of Islam, Muhammad.
In 1933, he published an article entitled ‘Modern World Literature’ which had various themes and literary designs. He has published 80,000 songs of classical raga, kirtan, and patriotic songs in ten volumes.
In 19334, he became involved in Indian theater and motion pictures and made his debut during a film supporting Girishchandra’s ‘Bhakta Dhruva’ story.
In 1939, he started working for Calcutta Betar and composed music for ‘Haramoni’ and ‘Nabarga-Malika’. In 1940, he joined A.K. He started working as the editor-in-chief of the established ‘New Age’. Fazlul Haque.
He was born on Might 24, 1899, in Churulia village within the Burdwan district of West Bengal to Kazi Fakir Ahmed, the caretaker of the native mosque and mausoleum, and his spouse, Zahida Khatun. He was the second of their four youngsters.
After his father’s premature demise, he was nicknamed ‘Dukhu Mia’ by the villagers due to the hardships he confronted in his adolescence. When he was ten, he began working in his father’s place as a caretaker to assist his household and aiding lecturers in class.
In 1910, he attended the Searsole Raj Excessive Faculty in Raniganj, after which the Mathrun Excessive English Faculty. However, quickly he deserted his research due to a monetary disaster and began working as a prepare dinner. Later, he took up a job at a bakery and tea store in Asansol.
In 1914, he resumed his research and studied as much as Class X. He studied Bengali, Sanskrit, Arabic, Persian literature, and Hindustani classical music.
In 1917, he joined the Indian Military as a soldier and served there for three years, rising to the rank of Battalion Quarter Grasp (Havildar). In 1919, he printed his first piece, ‘The Autobiography of a Delinquent’ or ‘Saogat,’ whereas serving within the Military.
In 1920, he left the military and joined the ‘Bangiya Mussalman Sahiya Samiti,’ the spot he composed his first sonnet, ‘Bandhan-hara’ or ‘Independence from servitude.’
In 1922, he wrote his poem titled ‘Bidrohi,’ printed in ‘Bijli’ (Thunder) journal. The poem described an insurgent obsessed with his trigger and acquired praises from individuals belonging to totally different social lessons.
In 1922, his political sonnet ‘Anondomoyeer Agomone’ showed up inside the diary ‘Dhumketu,’ which he had started distributing—prompted his capture all through a police assault on the diary’s work environment. Whereas imprisoned, he composed numerous poems and songs till his launch in December 1923.
Finally, he developed to turn into a pundit of the “Khilafat” wrestle and the Indian Nationwide Congress for not bartering political freedom from the British Empire. He additionally motivated individuals to battle in opposition to the British and arranged the ‘Sramik Praja Swaraj Dal.’
From 1926 onwards, he began writing poetry and songs for the weaker sections of the society. Later in life, his works shifted from revolt to faith. He investigated ‘namaz’ (supplication), ‘Roza’ (fasting) and ‘hajj’ (journey). He dedicated works to ‘Qu’ran’ and the lifetime of Islam’s prophet ‘Muhammad.’
In 1933, he printed a set of essays entitled ‘Trendy World Literature,’ which had different themes and literature types. He additionally distributed 800 melodies dependent on traditional ragas, kirtans, and devoted tunes in 10 volumes.
In 1934, he acquired concerns within the Indian theatre and movement footage and debuted in a film primarily based on Girish Chandra’s story referred to as ‘Bhakta Dhruva.’
In 1939, he began working for the Calcutta radio and produced music akin to ‘Haramoni’ and ‘Navaraga-malika.’ In 1940, he began working as a chief editor for ‘Nabayug,’ based by A.Ok. Fazlul Huq.
His most notable works had been his rebellious poems corresponding to ‘Bodhan,’ Shat-il-Arab,’ ‘Kheya-parer Tarani’ and ‘Badal Prater Sharab,’ and so forth, which acquired essential appreciation from throughout.
In 1926, he wrote one of all his most well-known poems titled ‘Daridro’ (‘Ache or Poverty’), which acquired appreciation from the lessons and the plenty.
In 1928, he grew to become a lyricist, composer, and music director for ‘His Grasp’s Voice Gramophone Firm.’ One of his largest works within the trade was writing songs and directing music for a bio epic play named ‘Siraj-ud-Daula.’
In 1945, he gained the Jagattarini Gold Medal from the College of Calcutta for his work in Bengali Literature.
In 1960, he was granted the Padma Bhushan, one of numerous most noteworthy non-military personnel praises of the Republic of India. He has conferred the title of ‘nationwide poet‘ and was awarded the ‘Ekushey Padak’ by the Authorities of Bangladesh.
Biography and Wiki
|Biography and Wiki|
|Full Name||Kazi Nazrul Islam|
|Birthday||May 24, 1899|
|Died At Age||77|
|Also Known As||Bidrohi Kobi, Mr. Sad Man, Nazrul, Rebel Poet|
|Famous As||National Poet Of Bangladesh|
|Place Of Death||Dhaka|
|Died On||August 29, 1976|
Family and Relatives
|Family and Relatives|
|Father||Kazi Faqeer Ahmed|
|Siblings||Kazi Ali Hussain, Kazi Saahibjaan|
|Children||Bulbul, Krishna Mohammad, Savyasachi And Aniruddha|